

Vancouver's contemporary art scrapbook


Brazilians are mourning the loss of almost 2,000 works of Helio Oiticica, on a fire last night in Rio de Janeiro. The works were estimated in US$ 200 million.



Christina Schild as German cultural attaché Miss Fischer
This is a first for The Art Monitor, but A Picasso relates so well to the subjects approached here that made it relevant posting about a play. Set in Paris in 1941, it explores a tug of war between art and bureaucracy that is very ‘now’ for the Vancouver of 2009. American playwright Jeffrey Hatcher brings a 60-year-old Picasso in confrontation with a Nazi functionary to determine which of the three works of art in their possession are true Picassos for an art burning, giving him the right to chose one to be destroyed. A Picasso runs nightly through October 31st at Presentation House, Vancouver. The Province interviewed the main actor, Andrew Wheeler.
A Pintura, o Vermelho e Suas Linhas, 2009, acrylic on canvas, 100 x 140 cm
Luiz Aquila translates in reds and oranges the warmth of his (and mine) country. At 66 he is more productive than ever and always involved in cultural activities other than his own atelier. Aquila refers to his work as one continuous painting. When seen side by side in a show we can fill in the gaps and get a flow of waves and lines merging together. Always exciting, bold and vibrant his paintings are in some of the main private and corporate collections of Brazil. Valu Oria, in Sao Paulo, will be showing his recent work from tomorrow to November 7th. Full disclosure: Aquila is my cousin, I represented his work for 20 years and he is one of the artists I admire the most.
A Pintura e os Novos Devaneios, 2008, acrylic on canvas, 90 x 180 cm




gold leaf painting by richard wright

Starting today, the VAG will be showing 80 photographs produced by Scott McFarland over the past seven years. McFarland’s images are composed from several exposures of the same scene, then digitally stitched together.



